Les Paul Traditional Pro II ’60s Neck Electric Guitar

All numbers were impressed into the wood and a six digit number assigned, though no particular order was given and some instruments had a letter prefix. The orange labels inside hollow bodied instruments was discontinued in and were replaced by white and orange rectangle labels on the acoustics, and small black, purple and white rectangle labels were placed on electric models. A few bolt on neck instruments had a date ink stamped on the heel area. In , Gibson first introduced the serialization method that is in practice today. This updated system utilizes an impressed eight digit numbering scheme that covers both serializing and dating functions. The pattern is as follows: The numbers show Kalamazoo production, show Nashville production. The Kalamazoo numbers were discontinued in Bozeman instruments began using designations and, in , Nashville instruments began using designations. It should also be noted that the Nashville plant has not reached the s since , so these numbers have been reserved for prototypes.

Gibson Les Paul Custom

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Nearly mint — great guitar.

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With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the s and s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard.

The Les Paul Traditional comes equipped with a period-correct pickguard, designed to protect the maple top. Neck – ’57 Classic; Bridge – Super ’57 Among the qualities that make Gibson’s original “Patent Applied For” humbucking pickups so unique are the subtle variations between coil windings. For the first few years of their productions— to —Gibson’s PAF humbuckers were wound using imprecise machines, resulting in pickups with slightly different output and tone.

The ’57 Classic and Super ’57 pickups are the result of Gibson’s drive to capture and recreate this characteristic. Introduced in , the ’57 Classic at the neck provides warm, full tone with a balanced response, packing that classic Gibson PAF humbucker crunch, inspired by those original PAFs that received a few extra turns of wire. The Super ’57 bridge pickup debuts in the Trad Pro with a wider frequency response and increased output.

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Tweet Gibson USA’s lineup of electric guitars finds the sweet spot between tradition and innovation Gibson just lifted the tent flap on its new electric guitar offerings and early indications point to as a banner year for the brand. And Gibson is also giving some of its more exotic models facelifts in the coming year. A lot of work goes into the neck carve and fretwork of the Les Paul Faded T to evoke that sense of a seasoned and familiar instrument that fits you like the proverbial glove.

The Mahogany slim taper neck is a nod to modern shredders while modern R and T humbuckers exploit all the tonal goodness and resonance churned out by the weight-relieved body.

Prior to , all headstocks were the assymetrical three-and-three design.

Thus, guitars were blessed with the Midas touch, veritable gold mines guaranteed to swell the bottom line as large corporations sought to diversify. The resulting gold rush yielded a number of strange bedfellows, with many guitar companies owned by conglomerates that may or may not have a clue about making and marketing guitars. Most came down on the latter side: Even new guitar importing companies were fueled by money from elsewhere: Teisco del Rey came from photographic supplies.

It was amid this corporate feeding frenzy that Baldwin guitars were born, the result of a collision between the quest for guitars and the fortunes of Burns guitars of London. If you want to know about a Burns-built guitar, you need this book. Despite the good times for guitar sellers, Burns London was in desperate need of a rescue.

Need helping dating Gibson Pickup!!!

Then from to note overlap the next Gibson humbucker is known as the “T bucker” or “T top”. They are called this because of a “T” that is part of the molding on the front of the two pickup bobbins. These also had the decal with “Patent No 2, , ” still the patent number of Les Paul’s trapeze tailpiece. The only way to see the “T” is to remove the pickup cover.

A small change in late patent pickups was white PVC bobbin wires instead of black black was used on pre humbuckers. Also T buckers can use either slot or phillips head screws to hold the bobbins to the base plate.

The most visual difference between the two almost identical guitars is that Harrison’s Casino had a Bigsby and Lennon’s Casino came with the stock trapeze tailpiece.

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In the event of a return the buyer pays all shipping and insurance costs and any other fees associated with the transaction. All returns must be approved by phone or email and must be returned in the exact condition they left our store. For logistical reasons we are unable to extend our 72 hour return policy on any transaction involving a trade, both in store and online. Unauthorized returns will be refused and returned at customer’s expense. We strive to earn your business.

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Maple top back and sides Neck: Three piece laminate mahogany. Gibson tune-o-matic bridge, bail tailpiece. It is typical of Gibson’s early 70s s; the tailpiece is the original early 50’s style, after 12 or so years of the zig-zag version for comparison see a s ES , and control knobs are Gibson witch-hats.

The pickguard comes uninstalled from the factory but we can drill screw holes and attach and no cost if desired.

Tweet on Twitter The Epiphone Riviera helped reinvent Epiphone in the s as a modern guitar company whose instruments sported such contemporary features as thinline, semi-hollow, double-cutaway bodies and humbucking pickups. In the minds of older guitarists, Epiphone was a traditional New York-based company, with roots in 19th-century Greece, that came into prominence with tenor banjos in the Jazz Age and challenged Gibson in the archtop and electric market of the s.

McCarty drew up a new line of Epiphone guitars and debuted them in And one of the new Epis — the Sheraton — was a semi-hollow double-cutaway, a style Gibson was introducing concurrently under the Gibson brand as the ES On the Epi side, however, the Sheraton was a fancy model — the equivalent of the ES — so the expansion went in the opposite direction.

By the time of the Riviera, however, the makeover of Epiphone was complete. The pickups are humbuckers, but in order to keep the Epiphone line slightly below Gibson in status and sound, Epiphone humbuckers were slightly smaller. The shape of the pickguard, too, is inspired by traditional Epi archtop pickguards and is different from the standard Gibson issue.

In other respects, the Riviera is the same as the Gibson ES in workmanship and design. While s ES s bring double or triple what a same-year ES would bring, the Riviera has not maintained the same relationship with the Casino except as new models in the current Epiphone lines. In fact, vintage Casinos bring more than Rivieras, and the reason is simple: Not only has their indentification — in particular that of John Lennon — with the model made vintage Casinos more valuable than Rivieras, it has also made Casinos more valuable than equivalent Gibson ES s.

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F-Spacing, Standard Spacing Why are there two different spacings? A long time ago in the 20th century, actually the electric guitar world was divided between Gibson and Fender designs. One of the differences between the two was string spacing. In general, Gibson chose a narrower string spacing at the bridge than Fender, and therefore the polepieces on Gibson humbuckers were closer together than the magnets on Fender pickups.

Our first humbuckers followed the original Gibson spacing, and we call them standard-spaced.

And all nestled in its original Gibson logo plush lined case, with gold plush lining.

Serial number info Fender limited edition Telebration series Telecaster for sale. For Fender’s Telecaster 60th anniversary celebration Fender created 12 different models, one to be released each month in Greg’s Vintage Guitar sales Worldwide Check back often as we are rebuilding and repopulating our new mobile device friendly website with more vintage guitars for sale as well as parts,amps,speakers bass guitars and music memorabilia for sale at Greg’s Guitars.

Humbuckers, split box inlays ,Fancy headstock, Spruce top archtop jazz box, great reviews on these ,with hard shell case. The Working mans L5. See More Here on this guitar. Original factory natural finish, fret wear, plays but will need a refret at some point,Comes with a non original black tolex hard shell case. No backplate or tremolo arm. Overseas clients PM me for accurate shipping quotes as free shipping is only to a lower 48 US address.

PAF (pickup)

With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully.

Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Although it is unclear when the center seamed maple top disappears in the category, it is certain that it does.

For pricing and hold status of this instrument, please check here. If this instrument does not appear on the Instruments page it has been sold. Solid maple top; one-piece Honduras mahogany body and neck; solid ebony fingerboard; multi-ply cream binding. Original hardware includes twin Gibson Pat. Vintage 60’s Gibson hardware includes Kluson Super ‘waffleback’ tuners, gold ‘witch hat’ volume and tone knobs. Vintage correct hardware includes hand antiqued gold stop tailpiece, twin ‘bumblebee’ capacitors, switch and tip.

Introduced in , the Les Paul Custom was Gibson’s upmarket version of their popular original gold top model. Borrowing the ornate inlay patterns of the Super and L-5, the Custom also featured a solid ebony fingerboard and multi-ply binding. It was also Gibson’s first solid body with a Tune-o-matic bridge, and the only one fitted with the short-lived Alnico pickup. Nicknamed the ‘Fretless Wonder’ and ‘Black Beauty’, the Custom sported an elegant ebony finish, which matched smartly with Mr.

By , the Custom was upgraded with three PAF humbuckers, which the model retained when the body was converted to the SG style design in

Gibson

Of course, music has always been an international art form that connects people around the world. Avi Goldfinger, a guitarist and singer-songwriter, is the third partner. Conducting meticulous studies of heritage guitars dating back to the s through s, they are striving to gain insights into the formula that has established these instruments as timeless classics. The conclusion they arrived at was perfectly clear:

This is their story.

Its futuristic-looking, offset profile has continued to have a strong pull on guitarists, perhaps most notably, the late, great Johnny Winter. The Firebird Studio T addresses the important stuff first and foremost. Gibson has switched out the traditional mini-humbuckers for the new, full-throated sound of R and T humbuckers. Fretwork is exemplary and invites note benders to dig in with massive bends. For it sports the smaller teardrop-shaped pickguard of the early 60s and traditional Grover kidney-button Locking Tuning Machines.

The slim taper neck makes less work of those complex chord forms. We will ship this fabulous interpretation of the SG in its factory hardshell case together with a premium leather strap plus Gibson multi-tool and polishing cloth. Ever since it burst on the scene in , the Explorer has always stood for bold aggression. The radical shape has tended to disguise the fact this is one very ergonomic and comfortable axe.

Armed with high-gain humbuckers for that address the needs of modern metal amps, its fleet neck and excellent high-fret access should put a blissful grin on just about any shredder’s mug.

Gibson Custom Shop Benchmark Limited Run Historic 1959 3 Pickup Les Paul Gloss • SN: 93502